Lisa Osborn, work in progress, c. 2020

artwork on my studio floor produced during July-August 2022 (cyanotypes done in Liverpool at TT/LJMU July residency)

Philosophy branches diagram

Gina Dominique with paintings in her studio, photo credit: Baird Hersey, 08.12.22

Joan Mitchell with paintings in her studio, From Baltimore Museum of Art's 2022 Joan Mitchell retrospective, cropped image

Will Wilson, b. 1969, William Wilson, Citizen of the Navajo Nation, Trans-customary Dine Artist, Image Size 1370 x 1920

write now

Transart-LJMU July 2022 Residency attendees, standing from left to right- Carlos Llerena Aguirre, Greg Lock, Tara Turnbull, Tine Frich Møller, Karen Ami, Nancy Messegee, Andrew Freiband, Anne Sophie Lorange, Susie Quillinan- Head of Masters Studies, Jenny Hawkinson, Erin Wilkerson, Gina Dominique, Irene Loy, Yvette Chaparro, Dawn Schultz, and seated from left to right- He Jin Jang, Rene MG, Chandana, Heidi Strauss, Marie France Forcier, Anne Livingston, Nkechi Deanna Njaka, at the Exhibition Research Lab (ERL), Liverpool John Moores University, Liverpool, UK, July

Gina Dominique, four 12 x 12" acrylic-on-paper pieces drying on the studio floor, from current working ChromaTheory: On Abstract Painting, Color and Otherness series, image by Gina Dominique, June 2022

NYFA- New York Foundation for the Arts logo

Whitney Biennial, Quiet as It’s Kept, 2022, installation view. From left to right: Veronica Ryan, Between a Rock and a Hard Place, 2022; Awilda Sterling-Duprey, . . . blindfolded, 2020–present; Duane Linklater, a few paintings from his mistranslate_wolftreeriver_ininîmowinîhk and wintercount_215_kisepîsim series, 2022. Image courtesy Whitney Museum of American Art- photographer, Ron Amstutz

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

2022 Summer Writing Retreat, Write Away

Tia Halliday, Under the Skin of a Painting 1, Performance Still, Calgary AB, Under the Skin of a Painting Series, Digital inkjet print rear mounted onto clear acrylic, 28 x 36 inches, 2015, Performed By: Tia Halliday and Christina Halliday

"Reclaimed Barn Wood Shiplap", cropped image

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, Tourbillion 6, Acrylic on canvas, 14 x 14", 2020, cropped

Tracey Bensen, ByteTime, Meeting Oceania, July 2021

Michael Bowdidge, Meccano Duck-Rabbit, Mixed-media assemblage, 2012

Gina Dominique, studio shot of works in progress, working title ColorCoded, approximately 27 acrylic on canvas, and acrylic on linen paintings, sizes vary, 2021-