‘The Domain of Aesthetics chart’

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Julliette Ludeker and me during a zoom dissertation writing sesh 2024

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

devon information annual review image detail

Gina Dominique, screenshot of Tuesday, September 17 LJMU Doctoral Academy ‘Preparing for Submission’ workshop

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, “AutoAbstract Paintings” installation view, Danses Vulnerables: Bodies Telling Stories In Their Fact Of Presence group exhibition, ERL/Exhibition Research Lab, Liverpool John Moores University, Liverpool, England

Gina Dominique screen shot of LJMU’s ‘Dissertations- Writing up your Findings and Discussion’ workshop, 16 July 2024

“Danses Vulnerables” group exhibition image (cropped,) exhibiting artists: Karen Ami, Gina Dominique, Marie France Forcier, Anne Sophie Lorange, Nancy Messegee, Carrie E. Neal, and Eve Provost Chartrand (curator), Erin Wilkerson

Gina Dominique, Screen Shot, LJMU Doctoral Academy Dissertations- Writing your Methods & Research Design Chapter Training, Screen Shot, 11 July 2024, 12:20 PM EST

Transart Institute for Creative Research ‘Braver Spaces Agreement’ online image

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Gina Dominique, Lehman College Summer 2024 Remote Writing Retreat, morning Day 3, GD-screenshot

Robyn Ferrell and TT PhDs during her May Session Public Talk, “Creative Nonfiction and the Genre of the Thesis,” May 25, 2024, Screenshot- Gina Dominique

Transart Intensive reading journal entry

TT Dissertation group, pictured clockwise, top left: Juliette Ludeker, (tr) Gina Dominique, and (b) Nancy Messegee. Gina Dominique screenshot credit, 2024.

Gina Dominique Interviews Suzan Frecon in Frecon’s Germantown, NY studio, September 2022. Gina Dominique Screenshot credit.

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Suzanne Jackson, “Red Over Morning Sea,” 2021, ‘Whitney Biennial 2024: Even Better Than The Real Thing,’ installation view. Photo credit: Gina Dominique.