Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

“The John Gesture,” Acrylic on Canvas, 10 x 14 in., 2021-22, and “Populus, Humilis et Divinus, (People, Humble and Divine),” Acrylic on linen, 180 x 38 in., 2023. Installation view, Greenspring Gallery, Stevenson University, Stevenson, MD

Photo credit: Chan Chao

“Stretched And Ready To Go,” text from Johnny re: picking up one of my 3-part painting after he stretched it at SoHo Art Materials’ Brooklyn factory. Photo credit: Johnny

TT Session 28- Liverpool, Marie France’s pic of me… in her words, “…looking very English”, July 2023

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Studio pic of emoji-Fitzpatrick Scale chart inspired mural, in progress, July 2023

Transart Intensive reading journal entry

Gina Dominique, black, brown, and white skin tones test strips, June, 2023

Britta Fluevog, Gina on the train to Manchester, July 2023

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Wangechi Mutu, People in Glass Towers Should Not Imagine Us, 2003.

Courtesy the Artist/Collection of Jeanne Greenberg Rohatyn and Nicholas Rohatyn, New York

Nicolás Dumit Estévez Raful Espejo Ovalles 2022

Pic of an ‘ABD All But Dissertation’ T-shirt

Gina Dominique, Spring 2023, studio work in progress

Lynn Book, ”Spot Patch Code (2019)”

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022

Transart Intensive reading journal entry

Gina Dominique, Spring 2023, studio work in progress

Gina Dominique, Pink World 3, Acrylic on Canvas, 15” diameter, 2019, published in Steven Bleicher’s new, just released 3rd ed. “Contemporary Color: Theory & Use”

Gina Dominique, ‘Procreate’s Skin Tones’, digital painting, 2022